• Chik Chik Panjha Sabu

    Chik Chik Panjha Sabu

    କବିତା ହୃଦୟର ନିବିଡ଼ ସ୍ପନ୍ଦନରୁ ନିଃସୃତ। ଏହି କବିତାରେ ପ୍ରସ୍ଫୁଟିତ ଅନ୍ତର୍ମନର ଉଚ୍ଚାରଣ ଆକର୍ଷଣୀୟ। କବିତା ‘ଚିଠି’ ଅକ୍ଷର ଓ ଆତ୍ମାକୁ ଏକାକାର କରେ।

    ମିଠା ଗୀତ .. ପ୍ରେରକ ଏବଂ ‘ଅକ୍ଷର’ର ପ୍ରାପ୍ତକର୍ତ୍ତା ଉଭୟ ଭାବନା ଦ୍ୱାରା ପ୍ରଭାବିତ ହୁଅନ୍ତି

    ‘ନଦୀ’ର ପ୍ରଥମ ଧାଡି ପ୍ରକୃତି ଦ୍ୱାରା ଲିଖିତ ଜଳର କବିତାକୁ ବୁ ଏ ଏହା ମାଧ୍ୟମରେ କବି ‘ଇଜିଲି ବେନ୍ଦାନା’ ଭାଷା ଏବଂ ଉପଭାଷାର ଅତ୍ୟାବଶ୍ୟକ ଆବଶ୍ୟକତାକୁ ବ୍ୟାଖ୍ୟା କରେ

    କଲିକତାର ‘ଗଙ୍ଗା’ ଉପରେ ମୋର ଗୋଟିଏ କବିତା (ଯାହା ସର୍ଭାଭାସ୍ କାଭି ସାମମେଲାନରେ ଏକ ପୁରସ୍କାର ଜିତିଥିଲା) ‘ମାତା ଗଙ୍ଗା’ ଭାବରେ ଭାଷା ଏବଂ ଉପଭାଷାର ଏକ ମଧୁର ମିଶ୍ରଣ ମଧ୍ୟ ଥିଲା, ସେହି ନଦୀ ବହୁ ଅପରିଷ୍କାରତା, ଅବହେଳାକୁ ସହ୍ୟ କରେ, କିନ୍ତୁ ଯେତେବେଳେ ଏହା ଅସହ୍ୟ ହୋଇଯାଏ, ସେତେବେଳେ ଏହା ଜଳକୁ ଜାଳିଦିଏ କାରଣ ଅଗ୍ନି ମନୁଷ୍ୟକୁ ମାରିପାରେ

    ‘ବାନିଆନ୍ ଗଛ’ ପ୍ରକୃତିର ଈଶ୍ୱରୀୟ ରୂପକୁ ଚିହ୍ନଟ କରେ ଏହି ବିଶାଳ ଗଛଟି ‘ଭଗବାନଙ୍କ ପରି’ ପରି ମନେହୁଏ

    ‘ମୋ ଲାଗି କୌଣସି ଟ୍ୟାଗ୍ ନାହିଁ’ କବିତାରେ ମଧ୍ୟ ପ୍ରେମର ତୀବ୍ରତା ଦ୍ୱାରା ପ୍ରେମ ଏକାତ୍ମ ହୋଇପାରିବ କବି ବେନ୍ଧାନା ଏହି ମନ୍ତ୍ରଟି ଶୁଣେଇଛନ୍ତି। ‘ମୋ କବିତା’ କବି ହୃଦୟର ଅନ୍ୟତମ ଅଭିବ୍ୟକ୍ତି ଯେଉଁଥିରେ କବିସତ୍ତା କବିତା ମାଧ୍ୟମରେ ପରିବର୍ତ୍ତନର ମହାନ ଆସ୍ପର୍ଦ୍ଧା ରଖେ ।

    ଏହି କବିତାଗୁଡ଼ିକ ବିଶ୍ଳେଷଣ ଏବଂ କରୁଣା ସହିତ କବିଙ୍କ ପଏଣ୍ଟ-ପଏଣ୍ଟ ଚିନ୍ତାଧାରାର ସଂଗ୍ରହ କବିଙ୍କ ଆଭ୍ୟନ୍ତରୀଣ ପ୍ରେମ ହିଁ ରଚନାଗୁଡ଼ିକୁ ଏତେ ଗତିଶୀଳ ଏବଂ ଜୀବନ୍ତ କରିଥାଏ

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  • Placeholder

    Chinta Chetanara Swara

    ଜୀବନରେ ଅନେକ କିଛି ଅନୁଭବ ଆସେ । କେବେକେବେ ଖୁସିର ଅନୁଭବ ତ କେବେକେବେ ଦୁଃଖର ଅନୁଭବ । କିଛି ଅନୁଭବ ଅନେକ ସମୟରେ ମନରେ କେବଳ ସ୍ମୃତି ହୋଇ ରହିଯାଆନ୍ତି । ଆଉ କେତେକ ଅନୁଭବ, ନିଜକୁ ପ୍ରତି ମୂହୁର୍ତ୍ତରେ ଉଦ୍ବେଳିତ କରନ୍ତି । ଯେଉଁ ଅନୁଭବ ସହିତ ଭାବପ୍ରବଣତା ସଂଯୁକ୍ତ ରହିଥାଏ, ଯେଉଁ ସବୁ ଅନୁଭବକୁ ଅଜାଗା ଘା’ ଭଳି ଅନ୍ୟ କାହା ଆଗରେ କହି ହୁଏନି, ସେ ଅନୁଭବ ସମସ୍ତ ମନକୁ ସଦା ଆନ୍ଦୋଳିତ କରି ରଖନ୍ତି । ସେମାନେ ଶବ୍ଦ ସୃଷ୍ଟି କରନ୍ତି, ଶବ୍ଦକୁ ଖଞ୍ଜି ଦେଇ ବାକ୍ୟ ସୃଷ୍ଟି କରନ୍ତି ଓ ବେଳେବେଳେ ଗୀତ ଖଞ୍ଜି ସ୍ୱର ବି ଦିଅନ୍ତି । ସେତେବେଳେ ମନ ଅସ୍ଥିର ହୁଏ । ସେସବୁ ଅନୁଭବକୁ ଲେଖି ନ ପକାଇବା ପର୍ଯ୍ୟନ୍ତ ମନ ଆନ୍ଦୋଳିତ ରହୁଥାଏ, କିନ୍ତୁ ଲେଖି ସାରିବା ପରେ ପ୍ରଶାନ୍ତି ଆସେ, ମନ ସ୍ଥିର ହୁଏ । ଦୈନନ୍ଦିନ ଜୀବନର ଅନ୍ୟ ସବୁ ଦାୟିତ୍ୱ ଉପରେ ମନୋନିବେଶ କରିବାକୁ ସମୟ ମିଳେ ।

    ମୋ ଭିତରର ଚିନ୍ତା, ଚେତନାର ସ୍ୱରକୁ ଶୁଣି ରଚନା କରିଥିବା କିଛି କବିତାକୁ ନେଇ ମୁଁ ଏ କବିତା ପୁସ୍ତକଟିରେ ମାଳାଟିଏ ଗୁନ୍ଥିଛି । ଆଶା, ମୋର ଏ ମାଳାଟି ପାଠକ, ପାଠିକା ମାନଙ୍କର ହୃଦୟକୁ ଛୁଇଁପାରିବ ।

    –ଡକ୍ଟର ବିଜ୍ଞାନୀ ଦାସଡେଟନ୍], ମେରୀଲାଣ୍ଡ

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  • Chinta O Chetana

    Chinta O Chetana

    ଜଣେ ବହୁମୁଖୀ ପ୍ରତିଭାଶାଳୀ ବ୍ୟକ୍ତିତ୍ୱ ଶ୍ରୀ ପ୍ରମୋଦ ଧଳଙ୍କ ଜନ୍ମ କେନ୍ଦ୍ରାପଡ଼଼ା ଜିଲ୍ଲା ଆଳି ଥାନାର ଅରଗଳ ଗ୍ରାମରେ। ପ୍ରଥମେ ଭାରତୀୟ ନୌସେନାରେ ପନ୍ଦର ବର୍ଷ ଓ ପରେ ଭାରତ ସରକାରଙ୍କ ଅର୍ଥ ବିଭାଗ ଅଧୀନରେ କେନ୍ଦ୍ରୀୟ ଉତ୍ପାଦ ଓ ସୀମା ଶୁଳ୍କ ବିଭାଗରେ ପଚିଶ ବର୍ଷ ଚାକିରି କରି ଅବସର ନେବା ପରେ ଅଧୁନା ଓଡ଼଼ିଶା ଉଚ୍ଚ ନ୍ୟାୟାଳୟରେ ଓକିଲାତି ପେଷାରେ କାର୍ଯ୍ୟରତ। ବୃତ୍ତି ଓ ପ୍ରବୃତ୍ତି ମଧ୍ୟରେ ସାର୍ଥକ ସମନ୍ୱୟର ଉଦାହରଣ ହେଉଛନ୍ତି ଶ୍ରୀ ଧଳ। ଏକାଧାରରେ ସେ ଜଣେ ପକ୍ଷୀ ବିଶାରଦ, ୱାଇଲ୍ଡ ଲାଇଫ ଫୋଟୋଗ୍ରାଫର, ଲେଖକ, ଗାଳ୍ପିକ, ସ୍ତମ୍ଭକାର ଓ ସମାଜ ଚିନ୍ତକ। ଦେଶର ପ୍ରାୟ ସମସ୍ତ ଜାତୀୟ ଉଦ୍ୟାନ ଓ ବ୍ୟାଘ୍ର ସଂରକ୍ଷଣାଞ୍ଚଳ ଭ୍ରମଣ କରି ପଶୁପକ୍ଷୀମାନଙ୍କ ଉପରେ ଅଧ୍ୟୟନ କରିବା ତାଙ୍କର ନିଶା। ଉଭୟ ‘ୱାଇଲ୍ଡ ଓଡ଼଼ିଶା’ ଓ ‘ନେଚର ଆଣ୍ଡ ୱାଇଲ୍ଡଲାଇଫ କଞ୍ଜରଭେସନ ସୋସାଇଟି ଅଫ୍ ଓଡ଼଼ିଶା’ (ଘଡଉଝ)ର ଆଜୀବନ ସଦସ୍ୟ ରହି ସେ ଦିଗରେ ମଧ୍ୟ ଶ୍ରୀ ଧଳ ଅନବରତ କାର୍ଯ୍ୟରତ। ଆମ ସମାଜ, ଭାଷା, ସଂସ୍କୃତି ଓ ପରିବେଶ ଆଧାରିତ ବିଭିନ୍ନ ପ୍ରକାଶିତ ପ୍ରବନ୍ଧ ସଙ୍କଳନ, ‘ଚିନ୍ତା ଓ ଚେତନା’ ଖୁବ ପ୍ରେରଣା ଦାୟକ ହେବ ବୋଲି ଆଶା।

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  • Chitra Kahani

    Chitra Kahani

    Chitra Kahani tells the fascinating stories hidden behind the world’s most famous paintings. Ever wondered why an artist created a masterpiece? What struggles they faced? Or the dramatic events that shaped their work? This book takes you behind the scenes; from paintings born during an artist’s darkest moments to artworks that mysteriously vanished and reappeared. Dr. Samantaray reveals the real, human stories that make these masterpieces come alive, proving that every great painting is much more than just colors on canvas it’s a window into an artist’s soul.

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  • Chitrarupa

    Chitrarupa

    ପ୍ରତୀକ୍ଷାର ଶେଷଦାଢ଼ରୁ

    ମେଘପକ୍ଷୀ ବଜେଇପାରେ

    ପ୍ରାପ୍ତିର ମୃଦଙ୍ଗ,

    ତା’ଓଠର ଅତି ନିକଟରେ

    ବିନ୍ଦୁବିନ୍ଦୁ ଜଳର ସୁଦୃଶ୍ୟ

    ଆକର୍ଷଣ ଥିଲେ ବି

    ସେ’ଶୋଷି ପାରେନି

    ଶୋଷର ଢ଼ଳଢ଼ଳ ଶୋଷ କି

    ନିରୋଧି ପାରେନି

    ବେଗର ଆବେଗ ।

    ଅନୁଗ୍ରହର ଗର୍ଭରେ ସେ’ଏକ

    ଦିନବାହୁଡ଼ା ଗୀତର

    ନିଶବ୍ଦ ଭିକ୍ଷାପାତ୍ର,

    କୋଷ ହୀନ କୋଷିକାର

    ନିସ୍ପନ୍ଦ ଆବେଦନ,

    ଦାହ ସରିଥିବା ଦେହର

    ପାଂଶୁଳ ଚିତ୍କାର ।

    ସେ’ କହେ

    ପ୍ରତ୍ୟେକ ନାରୀ କ’ଣ

    ମୋ’ପରି ଚିତ୍ରିତ

    ଚିତ୍ରରୂପା ନୁହଁ…?

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  • Chitrita Chadara

    Chitrita Chadara

    କୃଷ୍ଣପ୍ରସାଦ ମିଶ୍ର ତାଙ୍କ ସମକାଳୀନ ଗାଳ୍ପିକମାନଙ୍କଠାରୁ ଭିନ୍ନ ଧରଣର ଗଳ୍ପ ଲେଖିଛନ୍ତି । ସେ ତାଙ୍କ ଗଳ୍ପରେ ସବୁବେଳେ ଭାରତୀୟ ଐତିହ୍ୟ, ସଂସ୍କୃତି ପ୍ରତି ବିଶେଷ ସଚେତନ ମନେ ହୁଅନ୍ତି । ଏପରିକି ତାଙ୍କର ଚରିତ୍ରଗୁଡ଼ିକ ବିଶ୍ୱ ପରିକ୍ରମା କରିଥିଲେ ସୁଦ୍ଧା ଭାରତୀୟ ସଭ୍ୟତା ଓ ମୂଲ୍ୟବୋଧକୁ ଢେର ସମ୍ମାନ ଦିଅନ୍ତି । ସେ ସମସାମୟିକ ବିଶ୍ୱ ଭିତରେ ଘଟୁଥିବା ପରିବର୍ତ୍ତନ ଓ ବିଜ୍ଞାନର ଅଗ୍ରଗତିକୁ ତାଙ୍କର କ୍ଷୁଦ୍ରଗଳ୍ପରେ ଦକ୍ଷତାର ସହ ପ୍ରକାଶ କରିଥିଲେ ସୁଦ୍ଧା ଏଥିସହିତ ଆମ ପ୍ରାଚୀନ ଦାର୍ଶନିକ ଚିନ୍ତନକୁ ଯଥାସ୍ଥାନରେ ସେ ସଂଯୋଗ କରିପାରନ୍ତି । ଆଧୁନିକ ସଭ୍ୟତାର ଶୀର୍ଷରେ ଥିବା ଆମେରିକାର ଚଳଣି, ଚାକଚକ୍ୟ ଭିତରେ ସେ ଅନେକତ୍ର ଦେଖିଛନ୍ତି ଅସ୍ଥିରତା । ଯାହାଫଳରେ ପାଶ୍ଚାତ୍ୟର ଅସ୍ଥିର ପଦଧ୍ୱନିକୁ ଭାରତୀୟ ପାରମ୍ପରିକ ଆଦର୍ଶ ଓ ଶୁଭଚିନ୍ତା ଭିତରେ ତାଙ୍କର ଗଳ୍ପରେ ସେ କରିଛନ୍ତି ବ୍ୟବସ୍ଥିତ । ପାଶ୍ଚାତ୍ୟ ସହିତ ପ୍ରାଚ୍ୟ ଭାବାଦର୍ଶକୁ ଏକ ନୂଆ ପୃଷ୍ଠଭୂମିରେ ଦେଖିବା ହେଉଛି ତାଙ୍କ ଗଳ୍ପ କାହିଁକି ସାମଗ୍ରିକ ଭାବରେ ତାଙ୍କ ସହିତ୍ୟର ବିଶେଷତ୍ୱ । ଜଣେ ଗଭୀର ଆଧ୍ୟାତ୍ମବାଦୀ ଭାରତୀୟ ଲେଖକ ଭାବେ ସେ ସର୍ବତ୍ର ତାଙ୍କ ରଚନାରେ ଦେଇଛନ୍ତି ଆପଣାର ପରିଚୟ । ଓଡ଼ିଆ ସାହିତ୍ୟରେ ବିଂଶ ଶତକରେ ଡକ୍ଟର କୃଷ୍ଣପ୍ରସାଦ ମିଶ୍ର ତାଙ୍କର ଏ ଯେଉଁ ପରିଚୟ ଦେଇଛନ୍ତି ତାହା ତାଙ୍କୁ ଆମ ସାହିତ୍ୟ ଇତିହାସରେ ଅମର କରି ରଖିବ ।

    180.00
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  • Climate Change Solution

    Climate Change Solution

    This book addresses the urgent challenge of climate change, exploring its causes, impacts, and solutions with a strong focus on the Indian context. It offers a clear roadmap to achieving Net Zero emissions in India by 2050, combining scientific insights with 365 practical, actionable steps that individuals, communities, businesses, and policymakers can adopt. Whether you’re a student, educator, policymaker, activist, or simply someone who cares about the planet, this book is a wake-up call and a tool for change. It promotes climate literacy and empowers action at local, state, national, and global levels. A must-read for every Indian and every global citizen committed to building a sustainable net-zero planet for future generations. Let this book be your guide, inspiration, and daily reminder that the time to act is now.

    500.00
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  • Co-operative 2025 and World Economy

    Co-operative 2025 and World Economy

    The year 2025 is expected to be strategically important in many ways and will be remembered as a landmark in the history of Indian Cooperative Movement. Firstly, the recognition of cooperative as a conducive vehicle for eradication of poverty, financial inclusion for the people of small means, food security of the nation social services and promoting entrepreneur development are some of the significant contribution made by them globally. Secondly, the declaration by United Nation to celebrate Year 2012 as International Year of Cooperatives is another feather in its cap. The government of India and state governments are also showing the commitment and support for the growth and development of cooperatives in the country.

    This book has 58 articles on Co-operative activities in India.

    550.00
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  • COMMITMENT INGRAINED IN LOSS: SUBJUGATION, DISLOCATION AND TRAUMA IN THE NOVELS OF

    COMMITMENT INGRAINED IN LOSS: SUBJUGATION, DISLOCATION AND TRAUMA IN THE NOVELS OF

    Commitment Ingrained in Loss: Subjugation, Dislocation and Trauma in the Novels of Kazuo Ishiguro offers a profound exploration of memory, trauma, identity, and displacement in Ishiguro’s fiction. Through close readings of A Pale View of HillsAn Artist of the Floating WorldThe Remains of the DayNever Let Me GoThe Buried GiantWhen We Were Orphans, and The Unconsoled, this study reveals how unreliable narrators, fractured recollections, and silences expose the ethical ambiguities of history and selfhood. Drawing on psychoanalysis, trauma theory, postcolonial critique, and feminist thought, it examines how Ishiguro’s restrained voices grapple with grief, repression, and estrangement. Positioning him as a novelist of quiet radicalism, the book affirms that remembering-however painful-is essential to confronting complicity, sustaining identity, and imagining reconciliation in a world scarred by loss.

    500.00
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  • Communication: A Poetic Approach

    Communication: A Poetic Approach

    While poetry for centuries nurtures a rich tradition in communicating innumerable ideas and messages, the poetic approach to understanding communication finds infrequent if not outright rare attention. Dr. Debilal Mishra has come in to fill the gap. The book integrates as much as sixty two core dimensions of communication, expressed poetically. It is a potpourri that the readers are bound to relish. What is also notable is the way he has converted these themes into much nuanced form. In a paradoxical world in which hyper-connectivity also breeds isolation in more ways than one, such thematic articulations are expected to help the readers to comprehend and negotiate the myriad modes of communication and their subtler aspects. The book is expected to provide its readers a novel experience.

    220.00
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  • Connecting the Alphabets

    Connecting the Alphabets

    Education is a liberating force. Connecting millions of hearts and souls with an invisible thread, it helps people cut across the barriers of caste, class, creed, gender and religion and fulfill the aspirations in life. Schools being the citadels of education, provide the right environment in which the teachers and students flourish and spread their wings. Putting the welfare of the society and nation over and above their personal interests, teachers groom young minds for a bright future and students follow their dreams under their mentorship. This deep interrelationship between the students and teachers creates wonders. Depiction of the stories of sacrifice, struggle and success of the teachers and students through any written document like a book can boost the morale of good students and teachers, motivate the newly inducted students and teachers to deliver their best and become role models for others.

    The present anthology of stories, mostly set in rural scenario of Odisha, India, is a humble attempt to connect the experiences of fourteen characters into an organic whole and present a kaleidoscope of emotions, feelings and thoughts rooted in school life. While trying to teach the learners how to connect or add the alphabets in learning a language, teachers train them to be architects of their own lives, connect the events in their lives and create a successful whole. The events depicted in the stories are a blend of some real life experiences and fictional narratives but the characters very much resemble the people we meet in the schools every day. Each reader will surely find something common with one of these characters and identify himself/herself with them. Most importantly, each story tries to convey a strong message to the society which a sensible reader would never miss. The stories portray and preach a spectrum of qualities that we discover and look for in students and teachers: adaptability, commitment, cooperation, collaboration, enthusiasm, empathy, honesty, intelligence, passion, patience, perseverance, resilience and sacrifice.

    300.00
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  • Contemporary Odia Short Stories

    Contemporary Odia Short Stories

    Fakir Mohan Senapati laid the foundation of Odia short stories with the publication of ‘Rebati’ in 1898, about a hundred and twenty two years ago. Ever since, the genre has evolved much. He wrote about twenty short stories between 1898 and 1916. Critics have accepted this phase as the first phase of Odia story writing. The period between 1910 and 1947 is known as the second phase in the life of Odia short stories. This was the period when realism, progressive thoughts, Gandhian ideals, Marxism, the freedom struggle etc. had their impacts. The story writers were guided by an instinct to reform the society, serve people and help in promotion of nationalistic feelings. After the 1960s, writers started delving deep into the sub-conscious state of mind and analyzing it minutely. Besides, a period of ‘quest’ or ‘search for knowledge’ ensued. The writers were more serious about their quest into life, world, death, sorrow and suffering. This was a phase when the conservative mindset was set aside. This apart, many movements like ‘Humanism, ‘ ‘Socialism, ‘ ‘Existentialism, ‘ ‘Symbolism’ etc. took the writers into their grips. This anthology has thirty-one Odia short stories translated into English. Each story gives a new taste in so far as treatment of the subject matter and style are concerned. We have past masters who have carved a niche for themselves. More than half of our writers have been conferred with either the Odisha Sahitya Akademi award or the Central Sahitya Akademi award or both. We also have new talents who are venturing to touch the sky. The writers who gained prominence during the period from 1960 to 1980 and who’s translated stories have been included here are Achyutananda Pati, Santanu Kumar Acharya, Manoj Das, Binapani Mohanty, Ramachandra Behera, Padmaja Paul, Satya Misra, Yashodhara Mishra, Bibhuti Pattanaik, Debraj Lenka, Banaj Devi, Radha Binod Nayak, and Archana Nayak. The writers who shot to prominence during 1980 to 1990 are Dash Benhur, Tarunkanti Mishra, Prativa Ray, Hrusikesh Panda, Paresh Patnaik, Manoj Panda, and Bibhuti Bhusan Pradhan. Similarly, the writers who reigned the world of Odia stories during 1990 are Gourahari Das, Gayatri Saraf, Dipti Ranjan Patnaik, Supriya Panda, and Paramita Satapathy. The emerging talents whose stories have been included in the anthology are Adyasha Das, Kshetrabasi Naik, Manas Panda, Rabinarayan Dash, Sreekanta Kumar Barik, and Ranjan Pradhan.

    500.00
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