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Face, Surface, Interface: Ontology of Odia Culture
₹600.00This is the first explorative book on culture that interprets the rock evidences, tribal and other religious pantheons, politics, and theory of architecture, folk arts, mythology and performing arts of Kalinga, Kosala and Utkala, politically reformulated in 1936 as Orissa.
Having exposed and combined the concepts of culture envisaged by Weber, Durkheim and Parson, the study approaches toward post modern discourse: phenomenology, cultural anthropology and structuralism. The book also determines how transmission of knowledge is central to culture and narrates through its five sections how Odia culture is linked to power in conscious and unconscious ways; how it is insidious, sporadic and ubiquitous; and, of course, how the Odia cultural ideologies, in rare moments, transcend rational boundaries.
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Faded Imprints
₹320.00I write primarily to vent out my inner feelings which give me a sense of self-satisfaction. At times, it is an obsession that has its ebb and flow. Now and then, I complete it in one go, or sometimes it will pause: with a sudden blockage of adequate thoughts and proper wordings.
At the end of each story, I send it to my relatives, friends, and co-workers. I know no one will, if I do not believe in myself and my writing. Eagerly, I wait for a response. I am confident that at least one or two of the readers will give me honest feedback, and I bank upon their comments. These serve as a benchmark for me to climb higher on the ladder.
“Faded Imprints”, is a collection of short anecdotes, mainly based on tenderness and honesty. It is all about what my heart measures and how my life is intricately woven with the values packed in serenity. These feelings have truly appeared page by page. Writing has helped me come to terms with reality as life has confronted me with a multitude of challenges.
Within the lines of this book: I desire to honor the magic of the inherited genes from my revered Grandpa (Sri Ananta Prasad Panda} and loving Maa (Smt. Usharani Panda). They have endowed within me this gift of story writing; their magical pen gave life to everything. Their world was different with a focus on surroundings and society. They indeed had the spirit to rise and dream.
For me everything is tangible, I am a sensitive writer, and something that has touched me remains deep inside till I find words to express. My troubled mind bows to the mysteries of that artistic impulse and vision that pushes me to hold my mouse and focus on thoughts that I can recall on pondering. Mostly, the theme revolves around something that has touched deep within, it stays bubbling till it finds a way out to erupt in the form of language. I learned a lot about the writing craft because I spent so much time practicing writing with my short narratives.
I have had a fulfilling life; abiding by the ethical teachings; received from my family, and society that has groomed me. An expressed sense of accomplishment: the Lord has helped in realizing my vision. Hoping that my readers: will enjoy reading at least a part of this book if not all. -That’s the greatest gift for me!
—Jayasmita Mishra
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Fall of the Last Petal
₹250.00‘Fall of the Last Petal’ is my third collection of English Poems, the other two being ‘Silence between two Words’ and ‘A Dialogue of Yesterday…….Continues’. A poet per se should not speak more. His poems should. ‘Fall of the Last Petal’ is an anecdotal metaphor of transformation of a beast into a man. To a pair of bare eyes, the fall of the last petal is the declaration of the death of the flower. A poet, however sees this whole episode to be a narrative of renewal and regeneration of life in the ever present Cycle of Life and Death. A petal returns to the womb and takes a rebirth to become a full-blown flower. What we see is not the whole truth, a lot remains unseen. Life, the ever present knows no finality. Death also is not the end. To be prescient, there is no beginning and no end. The Eliotesque narration in ‘Burnt Norton’ (No.1 of ‘Four Quartets) is apt here to be quoted verbatim. “Time present and time past Are both perhaps present in time future And time future contained in time past”.
“What might have been is an abstraction
Remaining a perpetual possibility”.
The poet does not have the sole and exclusive right over his poem. At times, poem chooses the poet. Words on their own dictate the poet to note down the lines. The only intellectual capital of the poet, if there is any, in his poetic sensibilities and perspective. Sensibility is his inward being and perspective is how he sees his surroundings. Sometimes the poet remains in the oblivion, outside the circumference of the poem. That is the discourse of his meditation, and salvation. What more does a poet need to prove his existence ? My book is now in your hands for critical scrutiny which you have acquired with the language of your consciousness and wisdom. It gives me immense pleasure to expect my readers to have an open dialogue with the poems. I am to conclude with the extract of the poem “Accomplice” by Jorge Luis Borges. “They crucify me, I have to be the Cross, the nails. They hand me the cup, I have to be the hemlock They trick me, I have to be the lie They burn me alive, I have to be the hell”. Need I say anything more after the extract ? —Dr. Ratikanta Mishra
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Favorite Fairy Tales
₹150.00An anthology of twelve fairy tales for all ages. Stories include The Ugly Duckling by Hans Christian Andersen, Hansel and Gretel by The Brothers Grimm, The Selfish Giant by Oscar Wilde, The Little Old Woman Who Lived In a Shoe by Joseph Martin Kronheim, Puss in Boots by Charles Perrault, East of The Sun And West of The Moon by Peter Christen Asbjornsen, The Tiger, The Brahmin and The Jackal by Joseph Jacobs, The Forest Bride by Parker Fillmore, A Clever Thief by Nancy Bell, The Griffin and The Minor Canon by Frank Stockton, The Star Lovers by Grace James and Huckleberry by Frank Stockton.
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Fika Basanta
₹225.00ଜଣେ ସାହିତ୍ୟିକ ସମକାଳୀନ ସମାଜରେ ନିଜର ଜୀବନଚର୍ଯ୍ୟା ମଧ୍ୟରେ ସାମାଜିକ କର୍ତ୍ତବ୍ୟ ସମ୍ପାଦନ କରିବା ସମୟରେ କେତେକ ଅନୁଭବ ଅନୁଭୂତି, ଅନ୍ୟାୟ, ଅସଙ୍ଗତି,ପ୍ରତିକୂଳ ପରିସ୍ଥିତି ଶୋଷଣ କୁସଂସ୍କାର ବିରୋଧରେ ନିଜ ଲେଖନୀ ମାଧ୍ୟମରେ ସ୍ୱର ଉତ୍ତୋଳନ କରିଥାଏ ଯାହାର କି ଏକ ସୁଦୂର ବିସ୍ତାରି ପ୍ରଭାବ ସମାଜ ଉପରେ ପଡ଼ିବା ଫଳରେ କିଛିଟା ସଂସ୍କାର ଆସିଥାଏ।
ଅନୁରୂପ ଭାବେ ଜୀବନ ଜଞ୍ଜାଳ ତେଲ ଲୁଣ ସଂସାର ସାମାଜିକ ନୈତିକ ଦାୟିତ୍ୱ ନର୍ବାହ କରିବା ବେଳେ କେତେକ ଅନୁଭୂତି ଓ ଅନୁଭବର ପ୍ରତିଫଳନ ହୋଇଛି ମୋର ଏହି କବିତା ସଙ୍କଳନ ‘ଫିକା ବସନ୍ତ’ରେ। କବିତାଗୁଡ଼ିକ ନୈତିକତା, ମାନବୀୟ ମୂଲ୍ୟବୋଧ ଓ ସାଙ୍କେତିକ ସଂସ୍କାର ଉପରେ ପର୍ଯ୍ୟବେଷିତ, କବିତା ସଙ୍କଳନଟି ପାଠକୀୟ ଆଦୃତି ଲାଭ କଲେ ମୋର ଶ୍ରମ ସାର୍ଥକ ହେବ। —କମଳା ପ୍ରସାଦ ମହାପାତ୍ର
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Folk Traditions and Cultural Identity of Western Odisha
₹375.00Western Odisha, marked by a rich and diverse assemblage of music, dance, oral narratives, and ritual practices, constitutes one of India’s most significant reservoirs of folk traditions. Sustained through voice, rhythm, movement, and collective memory, these traditions form the core of the region’s cultural identity. They function not merely as aesthetic expressions but as carriers of shared history, spiritual belief systems, and social consciousness. Despite their cultural depth and continuing vitality, the folk traditions of Western Odisha have largely remained on the periphery of academic inquiry, often under-documented and insufficiently theorized within mainstream cultural studies. This volume seeks to address this gap by bringing the living folk traditions of Western Odisha into sharper scholarly focus. It establishes a critical platform for the documentation, interpretation, and re-evaluation of these living traditions within contemporary academic discourse. It explores the multifaceted landscape of the region’s folk culture through an interdisciplinary framework that draws on literature, history, anthropology, musicology, and performance studies. The essays collected here examine folk traditions as dynamic and evolving practices that respond to social change, operating as forms of creative expression, social critique, and cultural resilience in an era shaped by globalization and expanding media ecologies.
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Footprints of Fire
₹300.00Footprints of Fire is the most authoritative book of translation of contemporary poetry from the state of Odisha which is known for its rich and spectacular contributions in the fields of art, literature and culture of India. Dr Jayasingh, one of the most distinguished Indian poets and translators, has tried to showcase this as the key literary document of the contemporary Odia poetry 1950 – 2015. Dr Jayasingh has selected only 74 poets from many poets writing over the period to show how they with extraordinary thematic variations, innovative technical excellences, their authentic artistic skill and power have displayed immense potential to be placed among the outstanding poets of the country.
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Forgotten Goddesses
₹350.00“Forgotten Goddesses” is a compilation of the author’s fascinating account of the ancient tradition of Goddess worship in India and the world over. Vivid portraits of lost Goddesses, reflections of their evolution and worship along with the author’s astute observation makes this book a delightful treat. Highlighting Goddess worship around the world, it is a compilation of ancient Goddesses and their interesting tales. The goddesses listed in the book are protectors, benevolent, cursed, creators of miracles, and have the power of Tantric healing.
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Frog Story and Other Plays
₹550.00These randomly selected 7 plays would transport the readers beyond their trite mundane existence to seven different transcendental terrains-sometimes illusively comic and farcical to unexpected depths of fantasy and the uncanny. The plays included in this volume are
l Frog story l Waiting for the Bus l A Play about a Play l Forty Minutes l All by Accidents l The Elephant in the City l The Emperor with his pot.
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From Cradle to Silence: A Daughter’s Heartbeat of Love and Loss
₹250.00This collection of poems is a journey of love, loss, grief, and remembrance-a tribute to the most precious soul in my life, my mother. From my earliest childhood memories to the days of her illness, passing, and beyond, these poems capture moments both tender and painful, moments that shaped who I am.
Each poem is a conversation with her-sometimes a whisper, sometimes a cry. Through these verses, I remember her care, her sacrifices, her laughter, and her strength. I relive the moments she held me close, guided me through life, and protected our family. I also share the void left in her absence, the helplessness, and the unbearable pain of losing her.
Even in grief, there is a thread of hope-her presence continues to guide me, silently, invisibly. These poems are a testament to the eternal bond between a mother and her children. They speak of how love never truly leaves, how memory becomes a home, and how a mother’s essence can live forever in her family, even after she is gone.
A mother is the first light of our lives. She is the source of unconditional love, nurturing care, and wisdom that shapes us long before we can even understand the world. In her embrace, we find safety; in her eyes, we find guidance; in her voice, we find comfort. The presence of a mother is the foundation of every child’s life. Yet, too often, we take her love for granted-assuming she will always be there. The truth, as these poems painfully remind me, is that a mother’s presence is precious, fragile, and irreplaceable. Losing her is a wound that no passage of time can entirely heal.
Through these poems, I also reflect on the subtle ways in which a mother’s influence continues even after her physical presence fades. Her lessons, her care, her laughter, and even her silence guide us. She is present in our daily actions, our decisions, and in the love we extend to others. She becomes our moral compass, our silent mentor, and the voice that whispers strength when we are weakest.
These poems are not only my personal homage to my mother but a gentle reminder to every reader: never take your mother for granted. Life is unpredictable, and the moments we spend with her-whether teaching, scolding, laughing, or simply sitting together-are treasures beyond measure. Cherish her, honor her, and let her know she is loved every day, for once she is gone, no wealth or achievement can replace the warmth she gave us.
In these pages, you will find stories of childhood, small joys, care, illness, helplessness, and final separation. You will read about the days of COVID, when her strength shone even in adversity; the helplessness of hospitals and silence; the rituals and grief that followed her passing; and the continuing presence of her love in my life, my family, and my daughter. Every poem is a step through sorrow and a step toward remembrance, a way of keeping her alive in memory and in spirit.
My hope is that this book becomes a bridge-for me, for my family, and for every reader-between loss and love, grief and gratitude. It is a call to value our mothers while we can, to honor them, and to recognize that the lessons, love, and guidance they give us are among life’s greatest gifts. They are the roots that sustain us, the wings that allow us to rise, and the light that guides us home, even when all seems dark.
This collection, therefore, is both a personal journey and a universal message: mothers are sacred, irreplaceable, and eternal in the hearts of their children. May these poems remind every reader of the blessing of a mother’s love and the duty to cherish it.
– Sonali Sahu